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The Turn of the Screw

Henry James · 1898 · Fiction · 2h · 6 chapters

A young governess becomes convinced that the children in her care are being haunted by malevolent ghosts, but the truth may be far more disturbing.

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THE TURN OF THE SCREW

The story had held us, round the fire, sufficiently breathless, but
except the obvious remark that it was gruesome, as, on Christmas Eve in
an old house, a strange tale should essentially be, I remember no
comment uttered till somebody happened to say that it was the only case
he had met in which such a visitation had fallen on a child. The case,
I may mention, was that of an apparition in just such an old house as
had gathered us for the occasion—an appearance, of a dreadful kind, to
a little boy sleeping in the room with his mother and waking her up in
the terror of it; waking her not to dissipate his dread and soothe him
to sleep again, but to encounter also, herself, before she had
succeeded in doing so, the same sight that had shaken him. It was this
observation that drew from Douglas—not immediately, but later in the
evening—a reply that had the interesting consequence to which I call
attention. Someone else told a story not particularly effective, which
I saw he was not following. This I took for a sign that he had himself
something to produce and that we should only have to wait. We waited in
fact till two nights later; but that same evening, before we scattered,
he brought out what was in his mind.

“I quite agree—in regard to Griffin’s ghost, or whatever it was—that
its appearing first to the little boy, at so tender an age, adds a
particular touch. But it’s not the first occurrence of its charming
kind that I know to have involved a child. If the child gives the
effect another turn of the screw, what do you say to two children—?”

“We say, of course,” somebody exclaimed, “that they give two turns!
Also that we want to hear about them.”

I can see Douglas there before the fire, to which he had got up to
present his back, looking down at his interlocutor with his hands in
his pockets. “Nobody but me, till now, has ever heard. It’s quite too
horrible.” This, naturally, was declared by several voices to give the
thing the utmost price, and our friend, with quiet art, prepared his
triumph by turning his eyes over the rest of us and going on: “It’s
beyond everything. Nothing at all that I know touches it.”

“For sheer terror?” I remember asking.

He seemed to say it was not so simple as that; to be really at a loss
how to qualify it. He passed his hand over his eyes, made a little
wincing grimace. “For dreadful—dreadfulness!”

“Oh, how delicious!” cried one of the women.

He took no notice of her; he looked at me, but as if, instead of me, he
saw what he spoke of. “For general uncanny ugliness and horror and
pain.”

“Well then,” I said, “just sit right down and begin.”

He turned round to the fire, gave a kick to a log, watched it an
instant. Then as he faced us again: “I can’t begin. I shall have to
send to town.” There was a unanimous groan at this, and much reproach;
after which, in his preoccupied way, he explained. “The story’s
written. It’s in a locked drawer—it has not been out for years. I could
write to my man and enclose the key; he could send down the packet as
he finds it.” It was to me in particular that he appeared to propound
this—appeared almost to appeal for aid not to hesitate. He had broken a
thickness of ice, the formation of many a winter; had had his reasons
for a long silence. The others resented postponement, but it was just
his scruples that charmed me. I adjured him to write by the first post
and to agree with us for an early hearing; then I asked him if the
experience in question had been his own. To this his answer was prompt.
“Oh, thank God, no!”

“And is the record yours? You took the thing down?”

“Nothing but the impression. I took that here”—he tapped his heart.
“I’ve never lost it.”

“Then your manuscript—?”

“Is in old, faded ink, and in the most beautiful hand.” He hung fire
again. “A woman’s. She has been dead these twenty years. She sent me
the pages in question before she died.” They were all listening now,
and of course there was somebody to be arch, or at any rate to draw the
inference. But if he put the inference by without a smile it was also
without irritation. “She was a most charming person, but she was ten
years older than I. She was my sister’s governess,” he quietly said.
“She was the most agreeable woman I’ve ever known in her position; she
would have been worthy of any whatever. It was long ago, and this
episode was long before. I was at Trinity, and I found her at home on
my coming down the second summer. I was much there that year—it was a
beautiful one; and we had, in her off-hours, some strolls and talks in
the garden—talks in which she struck me as awfully clever and nice. Oh
yes; don’t grin: I liked her extremely and am glad to this day to think
she liked me, too. If she hadn’t she wouldn’t have told me. She had
never told anyone. It wasn’t simply that she said so, but that I knew
she hadn’t. I was sure; I could see. You’ll easily judge why when you
hear.”

“Because the thing had been such a scare?”

He continued to fix me. “You’ll easily judge,” he repeated: “you
will.”

I fixed him, too. “I see. She was in love.”

He laughed for the first time. “You are acute. Yes, she was in love.
That is, she had been. That came out—she couldn’t tell her story
without its coming out. I saw it, and she saw I saw it; but neither of
us spoke of it. I remember the time and the place—the corner of the
lawn, the shade of the great beeches and the long, hot summer
afternoon. It wasn’t a scene for a shudder; but oh—!” He quitted the
fire and dropped back into his chair.

“You’ll receive the packet Thursday morning?” I inquired.

“Probably not till the second post.”

“Well then; after dinner—”

“You’ll all meet me here?” He looked us round again. “Isn’t anybody
going?” It was almost the tone of hope.

“Everybody will stay!”

“I will”—and “I will!” cried the ladies whose departure had been
fixed. Mrs. Griffin, however, expressed the need for a little more
light. “Who was it she was in love with?”

“The story will tell,” I took upon myself to reply.

“Oh, I can’t wait for the story!”

“The story won’t tell,” said Douglas; “not in any literal, vulgar
way.”

“More’s the pity, then. That’s the only way I ever understand.”

“Won’t you tell, Douglas?” somebody else inquired.

He sprang to his feet again. “Yes—tomorrow. Now I must go to bed. Good
night.” And quickly catching up a candlestick, he left us slightly
bewildered. From our end of the great brown hall we heard his step on
the stair; whereupon Mrs. Griffin spoke. “Well, if I don’t know who she
was in love with, I know who he was.”

“She was ten years older,” said her husband.

“Raison de plus—at that age! But it’s rather nice, his long
reticence.”

“Forty years!” Griffin put in.

“With this outbreak at last.”

“The outbreak,” I returned, “will make a tremendous occasion of
Thursday night;” and everyone so agreed with me that, in the light of
it, we lost all attention for everything else. The last story, however
incomplete and like the mere opening of a serial, had been told; we
handshook and “candlestuck,” as somebody said, and went to bed.

I knew the next day that a letter containing the key had, by the first
post, gone off to his London apartments; but in spite of—or perhaps
just on account of—the eventual diffusion of this knowledge we quite
let him alone till after dinner, till such an hour of the evening, in
fact, as might best accord with the kind of emotion on which our hopes
were fixed. Then he became as communicative as we could desire and
indeed gave us his best reason for being so. We had it from him again
before the fire in the hall, as we had had our mild wonders of the
previous night. It appeared that the narrative he had promised to read
us really required for a proper intelligence a few words of prologue.
Let me say here distinctly, to have done with it, that this narrative,
from an exact transcript of my own made much later

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